CDBaby Podcast: #091 Scott Sellwood – How to License a Cover Song
http://cdbabypodcast.com/?p=810
http://www.rightsflow.com
Scott Sellwood: in house lawyer
Clears mechanical licenses/pays mechanical royalties
Mechanical License: license from songwriter to record/sell their song.
$.091 per song (CD, iTunes)
Royalty Rates for streaming: still sketchy. Working on it.
Limelight?
Pandora, Most podcasts are considered non-interactive (so no mechanicals required). Interactive means listener can intentionally click on a song and listen to it.
Request: 45 days prior to releasing a song.
In other countries, iTunes does automatically. Harder in U.S. b/c iTunes opted to put responsibility on artist/label.
Downloads: go to Rightsflow and pre-pay what you THINK you will sell. If you say 100 and sell more, you can go back and re-license. You can overshoot and say 1000, etc. You risk overpaying but you don’t have to worry about it for a while. DOESN’T expire through Limelight service.
Ringtone Separate: $.24/song mechanical!
Alex Holtz: can contact rightsflow directly for info and will help!
*DIFFERENT from performance royalties… get registered w/ SoundExchange!
PUBLIC DOMAIN: (over 100 years old?)
www.pdinfo.com
FREE GIVEAWAYS: you still need to pay the full mechanical.
Thursday, September 2, 2010
Saturday, August 21, 2010
DIY Music Blog Coverage!
Great Bandzoogle article w/ examples of how to contact music bloggers to ask them to cover your music.
Band PR 101: How to get covered by music blogs
http://bandzoogle.com/controlpanel/community.cfm?action=forum-showposts&topicid=19344&postid=80027
Band PR 101: How to get covered by music blogs
http://bandzoogle.com/controlpanel/community.cfm?action=forum-showposts&topicid=19344&postid=80027
Tuesday, August 17, 2010
Tour Smart! (Martin Atkins) CD Baby Podcast NOTES
http://cdbabypodcast.com/?p=854
“Tour Smart and Break the Band” – Martin Atkins
Reasons to Tour:
Touring is instant feedback, a way to make you or your group grow. You can ask your friends and family which songs they like, but you REALLY need people that don’t know you to give you honest feedback.
You can video yourself and decide how to fine tune your act.
As a band/group, the ADVERSITY of touring brings you closer together, and that chemistry will hopefully translate to the music.
Bloggers, reviewers, etc., will pay more attention to touring groups, because they know they can go see the group in person, and can pass that info along.
You get to touch people (emotionally) – look people in the eye, bond with them through the music, talk to them after a show, etc.
You can sell merch more easily, which leaves a more permanent mark…and memorializes the experience for listeners. Packaging reinforces the image and MUSIC of the band.
Advice:
Mistake: Tour is too expansive (too far apart between gigs)
You can tour in a “flower Petal” pattern, a few days at a time…come back to your home base. Take it in baby steps, don’t do a 6-week tour.
If you don’t know anyone in a particular town, make friends with a couple bands in that area, say “I can play to a crowd of about 400 in Baltimore, you could do a show with me here if I can do a show with you there.”
Put up a free mixtape (bandcamp.com?) pay attention to who is downloading, set up a show in a place where a lot of people like you. Book a show in that area and email all the people. Don’t waste your time going somewhere where no one knows you or likes you. If people in Vancouver like you, go to Vancouver!
Five-pointed star inward pointed crush (on youtube) – strategy to play AROUND a difficult place to build a following before going and playing to NOone.
http://www.youtube.com/watch?v=xihQewYWH8k&feature=related
-Build up fanbase in surrounding areas of target city, collect email addresses, etc. If you don't have enough, do it again! Don't go to New York unless you're sure you'll do well.
Posting flyers etc. doesn’t mean anyone will come.
If you GET a good gig, be READY because if you say you can bring 150 and bring 50, you’ll never play there again. Strategize beforehand to prepare, tell them you can bring 100 people and bring 150! Be nice, be humble, and you will blow them away and they will think about you when they need a band in the future.
When looking for bandmates: MULTITASKERS: “bass player who can do decent video editing” “guitarist who can keep up with social media, write newsletter” “Drummer who can update website and make flyers” saavy with booking, will sell/package/ship/order merch etc… An OK player who can do 5 things will get further than an great player who doesn’t do anything.
Don’t be aimed at 20,000 people to fill a stadium and blow off the 2 potential fans who are asking for your autograph and build up slowly, and then do things to keep them interested! Give them new music, tons of albums, etc.! Give them a reason to keep in touch and keep coming back.
Use information like “insights” on youtube for what people like, and where they are, etc. Pay attention to info!
Tube Mobile (Mogul?) upload a video to 50 sites!
Any band can get to where they should be.
Run your own business. First 1-5 years. Nobody knows what you need better than yourself.
Keep experimenting with music and merch and adding things, trying things. Make 5 shirts at a time and if they sell, make more. Make CDs yourself. Make live CDs. If you have 20 different shirts, great. You should have at least TWO.
Do things with fans outside of music.
“Tour Smart and Break the Band” – Martin Atkins
Reasons to Tour:
Touring is instant feedback, a way to make you or your group grow. You can ask your friends and family which songs they like, but you REALLY need people that don’t know you to give you honest feedback.
You can video yourself and decide how to fine tune your act.
As a band/group, the ADVERSITY of touring brings you closer together, and that chemistry will hopefully translate to the music.
Bloggers, reviewers, etc., will pay more attention to touring groups, because they know they can go see the group in person, and can pass that info along.
You get to touch people (emotionally) – look people in the eye, bond with them through the music, talk to them after a show, etc.
You can sell merch more easily, which leaves a more permanent mark…and memorializes the experience for listeners. Packaging reinforces the image and MUSIC of the band.
Advice:
Mistake: Tour is too expansive (too far apart between gigs)
You can tour in a “flower Petal” pattern, a few days at a time…come back to your home base. Take it in baby steps, don’t do a 6-week tour.
If you don’t know anyone in a particular town, make friends with a couple bands in that area, say “I can play to a crowd of about 400 in Baltimore, you could do a show with me here if I can do a show with you there.”
Put up a free mixtape (bandcamp.com?) pay attention to who is downloading, set up a show in a place where a lot of people like you. Book a show in that area and email all the people. Don’t waste your time going somewhere where no one knows you or likes you. If people in Vancouver like you, go to Vancouver!
Five-pointed star inward pointed crush (on youtube) – strategy to play AROUND a difficult place to build a following before going and playing to NOone.
http://www.youtube.com/watch?v=xihQewYWH8k&feature=related
-Build up fanbase in surrounding areas of target city, collect email addresses, etc. If you don't have enough, do it again! Don't go to New York unless you're sure you'll do well.
Posting flyers etc. doesn’t mean anyone will come.
If you GET a good gig, be READY because if you say you can bring 150 and bring 50, you’ll never play there again. Strategize beforehand to prepare, tell them you can bring 100 people and bring 150! Be nice, be humble, and you will blow them away and they will think about you when they need a band in the future.
When looking for bandmates: MULTITASKERS: “bass player who can do decent video editing” “guitarist who can keep up with social media, write newsletter” “Drummer who can update website and make flyers” saavy with booking, will sell/package/ship/order merch etc… An OK player who can do 5 things will get further than an great player who doesn’t do anything.
Don’t be aimed at 20,000 people to fill a stadium and blow off the 2 potential fans who are asking for your autograph and build up slowly, and then do things to keep them interested! Give them new music, tons of albums, etc.! Give them a reason to keep in touch and keep coming back.
Use information like “insights” on youtube for what people like, and where they are, etc. Pay attention to info!
Tube Mobile (Mogul?) upload a video to 50 sites!
Any band can get to where they should be.
Run your own business. First 1-5 years. Nobody knows what you need better than yourself.
Keep experimenting with music and merch and adding things, trying things. Make 5 shirts at a time and if they sell, make more. Make CDs yourself. Make live CDs. If you have 20 different shirts, great. You should have at least TWO.
Do things with fans outside of music.
Monday, July 27, 2009
Social Networking (Advice from Ariel Hyatt)
My notes from the CD BABY PODCAST #029: Ariel Hyatt - Social Networking Online (re-organized, no necessarily in order)
Participation is MANDATORY! You need to have a PRESENCE, even if you don’t spend loads of time.
Your fans WANT to connect with you! When you don’t social network, you’re not allowing them to connect with you. (whether you have 10 or 10,000)
Making a community online BEFORE meeting them VS. bringing people INTO an online community after meeting them (i.e. at a show)? Be human! Remember that fans want to connect with the random/cool/silly/deep/hobby things about you rather than just you with your marketing hat on.
Larry Sharp: (“How to Make Sales” coach) “Be a Shark in a Sea of Tuna”. Get OUT of your comfort zone, not just hang around musicians, but try some other kind of COMMUNITY that you could relate to personally, and also offer your music services. i.e. go to a food convention to meet restaurant owners, etc. Get creative! REMEMBER its good to put yourself in the position where you’re the ONLY one who does something in a group instead of one of many, because then people in that group will consider you the go-to guy/girl when they need that particular service.
Spyder X (software for Mac ~ $30) – Myspace Friend Adder Bot to find people who have particular interests in particular locations. i.e. find people in DE who say they’re into “The Clash” or interested in gardening, etc.
Social networking is not about YOU! You have to make it about others—whats in it for them? That is how you develop community.
APPROACHING SOMEONE ONLINE
Figure out who you’re trying to approach? i.e. men, women, Jewish, they like Feist, etc.
Making April (Band): Selling 1000 tracks on iTunes/week JUST from Myspace. (article on Ariel's site)
-Identified short list of bands like them (popular)
-Went to those band’s sites, said hi to fans (use their name!), we noticed you’re a big fan of…“people have said we sound like…” “pease come check us out!” *People always believe what OTHER people say about you than what YOU say about yourself (other people say” part is important)
-Daily Bulletin list – every day a silly question – people will interact!
-IM – kept IM open, people will chat
*NOTE TO SELF – maybe try a regular time weekly or something? Video chat? Even ½ hour? “Come and IM me and get…?”
-Had lots of music available for free download. After 18 months, had made a lot of friends by now, took free downloads away, and directed fans to iTunes.
Social Networking should be used to BUILD a list of people who will buy from you in the FUTURE! You need to communicate and get people to trust you before asking for a sale.
You should use ALL of them (as many social networking sites as you can), even if you use certain ones a lot more. ESPECIALLY b/c there are lots of tools you can use to interconnect them (i.e. post a message from twitter to facebook, etc.)
Utterz (Voice Blogging System) [now utterli.com] – call in, talk, record your voice, and put it immediately on your blog! Also announces on Twitter.
Fav 6 FB Apps. (article on Ariels site)
9 Steps to Music Success by Ariel
Lots of articles on Ariel’s site
*NOTE TO SELF – RESEARCH HOW TO USE TWITTER BETTER
Don’t necessarily just look to the BIGGEST sites with millions of people. You might have the best luck at a smaller site that will connect you with the right people for your music and gain you more VALUABLE fans. (Niche marketing) i.e. – Christian communities? WHO would be interested in your kind of music, and WHERE are you most likely to find them?
HOW TO GET PEOPLE TO GO TO YOUR SITES:
-Leave “breadcrumbs”
-Links on CDs, Website, POSTCARDS (hand out at gigs) give out pieces of you, led back to you.
-AT shows: bring clipboard w/ mailing list sign-up. BRIBE them onto your list! (Biz Kicks cards?) free single? – or raffle?
-Before about to play, have people TEXT you – start a text messaging list.
-Mozes.com(free fan-based text massaging email list!)
*BEFORE YOU START PLAYING AT A SHOW – “Please shut off your phones, but before you do, TEXT ME your info and next time I have a show I’ll text you!
Raffle – hold up prize – collect biz cards, or have them fill out a form. Have winner come up on stage and collect their prize!
MYSPACE
-Myspace – 100 million active users
-Guaranteed delivery of MESSAGES (as opposed to lost emails etc.)
-You CAN use myspace to create authentic relationships!
-BUT study, there is some METHOD!
-Bob Baker – Myspace Marketing Guide (interviews a lot of artists)
-Google effective Myspace marketing tips
-Google did a study – the average person waits 3.5 seconds before moving on. Be careful that you don’t have too much on your page to lower loading times.
-Keep it simple and streamlined. Have a LINK to YOUTUBE rather than filling the page with videos.
-Try to make it match your WEBSITE! Make them feel like it runs together.
FACEBOOK
-Much harder to find people that you DON’T know, but the friends in your FB community tend to be much more real. (no bots, etc.)
-Dependable, loads quickly, etc.
Participation is MANDATORY! You need to have a PRESENCE, even if you don’t spend loads of time.
Your fans WANT to connect with you! When you don’t social network, you’re not allowing them to connect with you. (whether you have 10 or 10,000)
Making a community online BEFORE meeting them VS. bringing people INTO an online community after meeting them (i.e. at a show)? Be human! Remember that fans want to connect with the random/cool/silly/deep/hobby things about you rather than just you with your marketing hat on.
Larry Sharp: (“How to Make Sales” coach) “Be a Shark in a Sea of Tuna”. Get OUT of your comfort zone, not just hang around musicians, but try some other kind of COMMUNITY that you could relate to personally, and also offer your music services. i.e. go to a food convention to meet restaurant owners, etc. Get creative! REMEMBER its good to put yourself in the position where you’re the ONLY one who does something in a group instead of one of many, because then people in that group will consider you the go-to guy/girl when they need that particular service.
Spyder X (software for Mac ~ $30) – Myspace Friend Adder Bot to find people who have particular interests in particular locations. i.e. find people in DE who say they’re into “The Clash” or interested in gardening, etc.
Social networking is not about YOU! You have to make it about others—whats in it for them? That is how you develop community.
APPROACHING SOMEONE ONLINE
Figure out who you’re trying to approach? i.e. men, women, Jewish, they like Feist, etc.
Making April (Band): Selling 1000 tracks on iTunes/week JUST from Myspace. (article on Ariel's site)
-Identified short list of bands like them (popular)
-Went to those band’s sites, said hi to fans (use their name!), we noticed you’re a big fan of…“people have said we sound like…” “pease come check us out!” *People always believe what OTHER people say about you than what YOU say about yourself (other people say” part is important)
-Daily Bulletin list – every day a silly question – people will interact!
-IM – kept IM open, people will chat
*NOTE TO SELF – maybe try a regular time weekly or something? Video chat? Even ½ hour? “Come and IM me and get…?”
-Had lots of music available for free download. After 18 months, had made a lot of friends by now, took free downloads away, and directed fans to iTunes.
Social Networking should be used to BUILD a list of people who will buy from you in the FUTURE! You need to communicate and get people to trust you before asking for a sale.
You should use ALL of them (as many social networking sites as you can), even if you use certain ones a lot more. ESPECIALLY b/c there are lots of tools you can use to interconnect them (i.e. post a message from twitter to facebook, etc.)
Utterz (Voice Blogging System) [now utterli.com] – call in, talk, record your voice, and put it immediately on your blog! Also announces on Twitter.
Fav 6 FB Apps. (article on Ariels site)
9 Steps to Music Success by Ariel
Lots of articles on Ariel’s site
*NOTE TO SELF – RESEARCH HOW TO USE TWITTER BETTER
Don’t necessarily just look to the BIGGEST sites with millions of people. You might have the best luck at a smaller site that will connect you with the right people for your music and gain you more VALUABLE fans. (Niche marketing) i.e. – Christian communities? WHO would be interested in your kind of music, and WHERE are you most likely to find them?
HOW TO GET PEOPLE TO GO TO YOUR SITES:
-Leave “breadcrumbs”
-Links on CDs, Website, POSTCARDS (hand out at gigs) give out pieces of you, led back to you.
-AT shows: bring clipboard w/ mailing list sign-up. BRIBE them onto your list! (Biz Kicks cards?) free single? – or raffle?
-Before about to play, have people TEXT you – start a text messaging list.
-Mozes.com(free fan-based text massaging email list!)
*BEFORE YOU START PLAYING AT A SHOW – “Please shut off your phones, but before you do, TEXT ME your info and next time I have a show I’ll text you!
Raffle – hold up prize – collect biz cards, or have them fill out a form. Have winner come up on stage and collect their prize!
MYSPACE
-Myspace – 100 million active users
-Guaranteed delivery of MESSAGES (as opposed to lost emails etc.)
-You CAN use myspace to create authentic relationships!
-BUT study, there is some METHOD!
-Bob Baker – Myspace Marketing Guide (interviews a lot of artists)
-Google effective Myspace marketing tips
-Google did a study – the average person waits 3.5 seconds before moving on. Be careful that you don’t have too much on your page to lower loading times.
-Keep it simple and streamlined. Have a LINK to YOUTUBE rather than filling the page with videos.
-Try to make it match your WEBSITE! Make them feel like it runs together.
-Much harder to find people that you DON’T know, but the friends in your FB community tend to be much more real. (no bots, etc.)
-Dependable, loads quickly, etc.
Radiohead Lets Buyers Set Own Price (Including FREE!)
From (middle of) the CD Baby Podcast #015 : Roundtable Edition - Can Free Downloads Help Your Career?
Radiohead sold their album on their website, let buyers set their own price, even if it was $0. About 1/3 chose $0, but some paid up to 4 times the list price. (though probably wouldn’t work for indie/not well known musicians.
Radiohead sold their album on their website, let buyers set their own price, even if it was $0. About 1/3 chose $0, but some paid up to 4 times the list price. (though probably wouldn’t work for indie/not well known musicians.
Sunday, July 26, 2009
Touring tip (Indie) from Chris of CD Baby
From (beginning of) the CD Baby Podcast #015 : Roundtable Edition - Can Free Downloads Help Your Career?
*Recommends if you’re going on tour, get a publicist (~$1000-4000) (according to Chris of CD Baby)
-Found gigs through other bands on Myspace – looked for new releases on CD Baby, bands thought were comparable. Got them to do legwork, if they come to his town, he'd do the same for them.
*Recommends if you’re going on tour, get a publicist (~$1000-4000) (according to Chris of CD Baby)
-Found gigs through other bands on Myspace – looked for new releases on CD Baby, bands thought were comparable. Got them to do legwork, if they come to his town, he'd do the same for them.
Saturday, July 25, 2009
Noise Trade (Give Music Away to Get More Fans) is now FREE!!!
http://www.noisetrade.com
I've been looking into noisetrade.com for a while now, planning to use it as a way to help spread the word about my music whenever I finally got an album recorded. There was a one-time fee of $250 for an artist to register their album or demo with Noise Trade, which I was happy to find is now completely eliminated. Their reasoning was "we need to practice what we preach" -- as in giving away something for free with the idea that it will help spread the word faster. More about why they decided to eliminate the fee HERE.
Anyway, I am very excited, and I signed up a earlier this week with a bunch of demo songs (I figured since its free now, it was worth a shot now instead of waiting til I have a complete album). I didn't post my widget anywhere yet, I just wanted to see what would happen strictly through the site. The first day I got 1 new download of my demo, and every day since there has been about 1 new download, which means I now have 4 new fans/mailing list members, and 20 potential new fans, just from signing up with Noise Trade! (Not bad I say) Today was the first day I didn't get any new downloads/fans, which I kind of expected since there doesn't seem to be an easy way to search by genre or really by anything right now--There is just an alphabetical listing and a "most recent" listing, so new albums seem to get buried within a few days, unless their name starts with and "A". Not too smart really, but since Noise Trade is new to the Free Signups, I suspect they will start upgrading their search options as they start to get a lot more sign ups. That said, I'm sure it would help if I tried to advertise my widget myself, but I think I might save that effort for my real album...we'll see ;-) Either way, it seems to me that even though this service is still somewhat in the beginning stages (1 year old so far), it can be a very valuable tool to help artists gain more fans the old-fashioned way -- by word of mouth! I wish I had an album ready now, because I think this is probably the prime time to get signed up, while there are not a ton of other artists yet to get buried under!
Just for fun, here's the widget for the demo I posted on Noise Trade:
I've been looking into noisetrade.com for a while now, planning to use it as a way to help spread the word about my music whenever I finally got an album recorded. There was a one-time fee of $250 for an artist to register their album or demo with Noise Trade, which I was happy to find is now completely eliminated. Their reasoning was "we need to practice what we preach" -- as in giving away something for free with the idea that it will help spread the word faster. More about why they decided to eliminate the fee HERE.
Anyway, I am very excited, and I signed up a earlier this week with a bunch of demo songs (I figured since its free now, it was worth a shot now instead of waiting til I have a complete album). I didn't post my widget anywhere yet, I just wanted to see what would happen strictly through the site. The first day I got 1 new download of my demo, and every day since there has been about 1 new download, which means I now have 4 new fans/mailing list members, and 20 potential new fans, just from signing up with Noise Trade! (Not bad I say) Today was the first day I didn't get any new downloads/fans, which I kind of expected since there doesn't seem to be an easy way to search by genre or really by anything right now--There is just an alphabetical listing and a "most recent" listing, so new albums seem to get buried within a few days, unless their name starts with and "A". Not too smart really, but since Noise Trade is new to the Free Signups, I suspect they will start upgrading their search options as they start to get a lot more sign ups. That said, I'm sure it would help if I tried to advertise my widget myself, but I think I might save that effort for my real album...we'll see ;-) Either way, it seems to me that even though this service is still somewhat in the beginning stages (1 year old so far), it can be a very valuable tool to help artists gain more fans the old-fashioned way -- by word of mouth! I wish I had an album ready now, because I think this is probably the prime time to get signed up, while there are not a ton of other artists yet to get buried under!
Just for fun, here's the widget for the demo I posted on Noise Trade:
Monday, July 20, 2009
The Category "Page" (Alphabetical)
Live Video Concerts! (An alternative to touring?)
These are my notes from the Stream Your Concerts to the World! CDBaby Podcast #065 (http://cdbabypodcast.com/?p=537)
(Interviewing Matthew Ebel about ustream.com)
Matthew Ebel: http://matthewebel.com/ustream
-Since 2006 been promoting himself mostly online.
-Has been using ustream since 2007.
USTREAM - host LIVE video feeds! (like youtube, but live) http://www.ustream.tv/
-Can be password protected! – sell tickets?
-Can record and save, and DOWNLOAD. (then put on youtube? ☺)
-Live chat room for “audience”
-TALK to the audience, interact!
-Audience can interact with you AND each other, can make REQUESTS.
-You can make someone in the chat a “bouncer” or moderator while you’re playing who can ban troublemakers from posting. You can even make registered ustream members permanent bouncers anytime they’re logged into one of your shows.
Tips from Matthew:
-Try to do a show fairly regularly, or even a scheduled regular time.
-Drive up viewers/sell CDs: - get fans to embed the show on THEIR site. Tell them to have an affiliate program to CDBaby/iTunes/Amazon etc. to sell YOUR CDs, then they make a little money selling your music for you!
-There are sliders for audio quality and video quality. If you crank the quality too high, it will lower the ability of some people to view it properly. (He recommends about 75% video, higher % audio…if I understood correctly) The higher the quality, the higher the bandwidth.
-He uses a Sanio Exacti (sp?) Video camera. (need to use Windows)
-Uses Mainstage (part of Logic Studio), MOTO UltraLite interface
-DEFINITELY has seen an increase in sales from shows. Without fail, has sold at least 1 CD per show, join mailing list, coupon codes for subscription service, check out website.
-You can set up OVERLAYS (like streaming words at the bottom of the screen) that you can turn into links! i.e. “Join my email list and get 3 free songs! Click here!”
(Interviewing Matthew Ebel about ustream.com)
Matthew Ebel: http://matthewebel.com/ustream
-Since 2006 been promoting himself mostly online.
-Has been using ustream since 2007.
USTREAM - host LIVE video feeds! (like youtube, but live) http://www.ustream.tv/
-Can be password protected! – sell tickets?
-Can record and save, and DOWNLOAD. (then put on youtube? ☺)
-Live chat room for “audience”
-TALK to the audience, interact!
-Audience can interact with you AND each other, can make REQUESTS.
-You can make someone in the chat a “bouncer” or moderator while you’re playing who can ban troublemakers from posting. You can even make registered ustream members permanent bouncers anytime they’re logged into one of your shows.
Tips from Matthew:
-Try to do a show fairly regularly, or even a scheduled regular time.
-Drive up viewers/sell CDs: - get fans to embed the show on THEIR site. Tell them to have an affiliate program to CDBaby/iTunes/Amazon etc. to sell YOUR CDs, then they make a little money selling your music for you!
-There are sliders for audio quality and video quality. If you crank the quality too high, it will lower the ability of some people to view it properly. (He recommends about 75% video, higher % audio…if I understood correctly) The higher the quality, the higher the bandwidth.
-He uses a Sanio Exacti (sp?) Video camera. (need to use Windows)
-Uses Mainstage (part of Logic Studio), MOTO UltraLite interface
-DEFINITELY has seen an increase in sales from shows. Without fail, has sold at least 1 CD per show, join mailing list, coupon codes for subscription service, check out website.
-You can set up OVERLAYS (like streaming words at the bottom of the screen) that you can turn into links! i.e. “Join my email list and get 3 free songs! Click here!”
Sunday, July 19, 2009
MUST Join (at least try) When Finished First Album (or sooner!)
* = Already joined
Indie Bible (promo/network/industry contacts)
http://www.indiebible.com/
*Indie Venue Bible (booking/venue/festival contacts)
http://indievenuebible.com/
ASCAP (Performance Rights Organization)
http://www.ascap.com/index.aspx
Music Pro Insurance
http://www.musicproinsurance.com/
*Sonicbids (EPK, submit to gig listings and competitions)
http://www.sonicbids.com/
*TAXI (Indie A & R company, particularly great for writers, TV/Film placement)
http://www.taxi.com/
"The Pitch List" (pitch list for songwriters, ASCAP DISCOUNT!)
http://www.songcasting.biz/
The Virtual Publicist ("the music industry database")
http://www.thevirtualpublicist.com/
Powderfinger Promotions (Indie radio/tour promotion)
http://www.powderfingerpromo.com/
Ariel Publicity ("Cyber PR" - blogs, podcasts, internet radio, etc.)
http://www.arielpublicity.com/
Pandora (internet radio station - people find your music based on other music they choose to listen to)
http://www.pandora.com/
Oasis Disc Manufacturing (choose 1 song to be promoted to radio stations FREE!)
http://www.oasiscd.com/
Discmakers Disc Manufacturing (probably biggest and most-used indie disc manufacturer)
http://www.discmakers.com/
CDBaby (Top online indie music store - sell your CD here)
http://cdbaby.com/
iTunes (Top online music download store - sell your CD here)
http://www.itunes.com
NoiseTrade (cool way to promote an album [or an artist in general] by word-of-mouth)
https://www.noisetrade.com/
Indie Bible (promo/network/industry contacts)
http://www.indiebible.com/
*Indie Venue Bible (booking/venue/festival contacts)
http://indievenuebible.com/
ASCAP (Performance Rights Organization)
http://www.ascap.com/index.aspx
Music Pro Insurance
http://www.musicproinsurance.com/
*Sonicbids (EPK, submit to gig listings and competitions)
http://www.sonicbids.com/
*TAXI (Indie A & R company, particularly great for writers, TV/Film placement)
http://www.taxi.com/
"The Pitch List" (pitch list for songwriters, ASCAP DISCOUNT!)
http://www.songcasting.biz/
The Virtual Publicist ("the music industry database")
http://www.thevirtualpublicist.com/
Powderfinger Promotions (Indie radio/tour promotion)
http://www.powderfingerpromo.com/
Ariel Publicity ("Cyber PR" - blogs, podcasts, internet radio, etc.)
http://www.arielpublicity.com/
Pandora (internet radio station - people find your music based on other music they choose to listen to)
http://www.pandora.com/
Oasis Disc Manufacturing (choose 1 song to be promoted to radio stations FREE!)
http://www.oasiscd.com/
Discmakers Disc Manufacturing (probably biggest and most-used indie disc manufacturer)
http://www.discmakers.com/
CDBaby (Top online indie music store - sell your CD here)
http://cdbaby.com/
iTunes (Top online music download store - sell your CD here)
http://www.itunes.com
NoiseTrade (cool way to promote an album [or an artist in general] by word-of-mouth)
https://www.noisetrade.com/
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